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Challo - Zameen, Asman aur Mein (mixed media on clay title).-Photo by Dawn

Street Art That Tells Stories: Sayeda M. Habib’s ‘Challo’ Exhibition Captures Street Life Through Clay and Canvas

Karachi, Pakistan — Artist Sayeda M. Habib brings to life the vibrant, complex world of street children in her latest exhibition, Challo, currently on display at Canvas Gallery, Karachi. With 36 mixed media pieces, the exhibit authentically explores the emotions, challenges, and vivid energy of street culture, while carefully avoiding aesthetic trivialization.

Challo - Jeay II (mixed media on clay tile).-Photo by Dawn
Challo – Jeay II (mixed media on clay tile).-Photo by Dawn

One standout piece, ‘Jeay II’, created using mixed media on clay tile, illustrates a chaotic tapestry of street graffiti. From bold slogans reminiscent of socialist street chants to diverse visual expressions, the artwork reflects the layered, often contradictory cultural and political narratives that shape urban Pakistan. It subtly retains the purity and spontaneity found in real street graffiti, preserving its unfiltered character.

Another notable work, ‘Zameen, Asmaan aur Mein’, creatively blends the slogan Huq Baat (“Truth”) with references to severe illnesses like cancer and thalassaemia. This juxtaposition offers a biting critique of political priorities, suggesting that society’s loudest voices often drown out critical health and humanitarian concerns.

Challo - Zameen, Asman aur Mein (mixed media on clay title).-Photo by Dawn
Challo – Zameen, Asman aur Mein (mixed media on clay title).-Photo by Dawn
Challo - Portrait III (oil on aluminium tava).-Photo by Dawn
Challo – Portrait III (oil on aluminium tava).-Photo by Dawn

Transitioning from broader social commentary to intimate human portrayals, Habib introduces a compelling series of eight portraits of street children, painted on unconventional aluminium tavas (cooking pans). Each piece reflects the individuality of these often-overlooked young souls. For instance, ‘Portrait III’ captures the tension between visibility and vulnerability, portraying a young man aware of being watched, yet emotionally distant, his gaze drifting outside the frame. His subtle body language conveys both defiance and fragility, characteristics often found in street life.

Sayeda M. Habib’s Challo succeeds in creating an emotional bridge between the gallery and the street, turning everyday street experiences into resonant visual stories. The exhibit runs until September 20 at Canvas Gallery.


Original Source & Reference:
This article is a rephrased interpretation of content originally published by Peerzada Salman in Dawn News. You can read the original article here: Street (smart) art – Dawn