
Drawing inspiration from timeless art of the universe as well as the times we live in, Sayeda Habib creates work that holds the attention of the viewer. We discover beauty created with a message that is timeless.
Marjorie Husain

CONTACT:
I’d love to hear from you, whether you’re curious about my work, upcoming exhibitions, or simply wish to connect and start a conversation.
About
Meeting Sayeda M Habib in her studio recently, was an extremely interesting experience. Preparing for her exhibition to take place at Canvas Gallery, the artist was in the process of grinding her colours by hand and she showed me the varying shades of one colour she had created by various methods.
While I viewed the artist’s work in process, Sayeda shared her delight in the fact that the Prince’s School of Traditional Art based in London, where she had spent many absorbing hours, now had an agreement with the Rangoonwala Centre. A programme of art based on the teaching methods of `Princes School’ was now taking place in Karachi. These were in the charge of graduates of the Prince’s School, including several from Pakistan.
WORKS

Mitti
Sayeda Habib

ASWAD
Sayeda Habib

Dance of Dualites
Sayeda Habib

Fractured Naratives
Sayeda Habib

Chalo
Sayeda Habib

Stories from the Womb
Sayeda Habib
JOURNAL
Art and Earth Intertwined: Sayeda M. Habib’s ‘Mitti’ Exhibit Reflects Sacred Connections at Canvas Gallery
- June 23, 2024
Discover ‘Mitti’ by Sayeda M. Habib at Canvas Gallery,...
Mitti Exhibition – ART TV Pakistan – Interview
- May 1, 2024
Media Interview of Sayeda Habib on the opening of...
Sayeda Habib’s Spiritual Lens in Zenana Mardana: Art Beyond Gender Binaries
- March 6, 2022
Artist Sayeda Habib’s evocative work in the Zenana Mardana...
ABOUT:
Meeting Sayeda M Habib in her studio recently, was an extremely interesting experience. Preparing for her exhibition to take place at Canvas Gallery, the artist was in the process of grinding her colours by hand and she showed me the varying shades of one colour she had created by various methods.
While I viewed the artist’s work in process, Sayeda shared her delight in the fact that the Prince’s School of Traditional Art based in London, where she had spent many absorbing hours, now had an agreement with the Rangoonwala Centre. A programme of art based on the teaching methods of `Princes School’ was now taking place in Karachi. These were in the charge of graduates of the Prince’s School, including several from Pakistan.