Sayeda Habib Art

Drawing inspiration from timeless art of the universe as well as the times we live in, Sayeda Habib creates work that holds the attention of the viewer. We discover beauty created with a message that is timeless.

Marjorie Husain

CONTACT:

I’d love to hear from you, whether you’re curious about my work, upcoming exhibitions, or simply wish to connect and start a conversation.

About

Meeting Sayeda M Habib in her studio recently, was an extremely interesting experience.  Preparing for her exhibition to take place at Canvas Gallery, the artist was in the process of grinding her colours by hand and she showed me the varying shades of one colour she had created by various methods.  

While I viewed the artist’s work in process, Sayeda shared her delight in the fact that the Prince’s School of Traditional Art based in London, where she had spent many absorbing hours, now had an agreement with the Rangoonwala Centre. A programme of art based on the teaching methods of `Princes School’ was now taking place in Karachi. These were in the charge of graduates of the Prince’s School, including several from Pakistan.       

WORKS

JOURNAL

Digital print - Edition 1 5 AP - 19 x 30 Inches - 2024 - Mitti Read More

Art and Earth Intertwined: Sayeda M. Habib’s ‘Mitti’ Exhibit Reflects Sacred Connections at Canvas Gallery

  • June 23, 2024

Discover ‘Mitti’ by Sayeda M. Habib at Canvas Gallery,...

Mitti Exhibition Opening at Canvas Gallery - Interview on Art Tv Pakistan Read More

Mitti Exhibition – ART TV Pakistan – Interview

  • May 1, 2024

Media Interview of Sayeda Habib on the opening of...

Yin and Yang Exhibition - The section of the gallery hosting Sadequain’s work Read More

Sayeda Habib’s Spiritual Lens in Zenana Mardana: Art Beyond Gender Binaries

  • March 6, 2022

Artist Sayeda Habib’s evocative work in the Zenana Mardana...

ABOUT:

Meeting Sayeda M Habib in her studio recently, was an extremely interesting experience.  Preparing for her exhibition to take place at Canvas Gallery, the artist was in the process of grinding her colours by hand and she showed me the varying shades of one colour she had created by various methods.  

While I viewed the artist’s work in process, Sayeda shared her delight in the fact that the Prince’s School of Traditional Art based in London, where she had spent many absorbing hours, now had an agreement with the Rangoonwala Centre. A programme of art based on the teaching methods of `Princes School’ was now taking place in Karachi. These were in the charge of graduates of the Prince’s School, including several from Pakistan.       

WORKS: