In the early 1990s, Syeda Habib embarked on an independent journey to the United Kingdom, where she immersed herself in open programs at prestigious institutions including The Slade School of Fine Art, Ruskin School of Art, and The Prince’s Foundation School of Traditional Arts. Her extensive research and practice spanned from ancient to contemporary art, providing her a deep engagement with the visual evolution of the human experience across time.

Drawing remains a foundational element in Habib’s artistic methodology, serving as a means to gather and synthesize visual narratives derived from social, spiritual, cultural, and religious contexts. Her practice delves into perennial themes, examining the complex relationship between unity and duality by merging sacred and traditional art forms with contemporary aesthetics and design principles.

Through a diverse array of media including painting, sculpture, installation, and mixed media Sayeda Habib challenges dominant visual and conceptual paradigms. Her work invites the viewer to engage deeply with its multi-layered symbolism, offering a contemplative space that not only reflects on vanishing aesthetic traditions but also reclaims them to instill purpose, meaning, and direction in the present.