Sayeda Habib Art

Drawing inspiration from timeless art of the universe as well as the times we live in, Sayeda Habib creates work that holds the attention of the viewer. We discover beauty created with a message that is timeless.

Marjorie Husain

CONTACT:

I’d love to hear from you, whether you’re curious about my work, upcoming exhibitions, or simply wish to connect and start a conversation.

About

Meeting Sayeda M Habib in her studio recently, was an extremely interesting experience.  Preparing for her exhibition to take place at Canvas Gallery, the artist was in the process of grinding her colours by hand and she showed me the varying shades of one colour she had created by various methods.  

While I viewed the artist’s work in process, Sayeda shared her delight in the fact that the Prince’s School of Traditional Art based in London, where she had spent many absorbing hours, now had an agreement with the Rangoonwala Centre. A programme of art based on the teaching methods of `Princes School’ was now taking place in Karachi. These were in the charge of graduates of the Prince’s School, including several from Pakistan.       

WORKS

JOURNAL

Looney Tunes III - Digital Print on Paper - 105x64cm - Fractured Narratives Read More

Reimagining Tradition: Sayeda M. Habib’s Fractured Narratives at Canvas Gallery

  • May 22, 2016

Discover Sayeda M. Habib’s powerful mixed-media exhibition "Fractured Images,"...

The Visitation - Collage Gouache Acrylic Newsprint and Gold Leaf on Wasli - 26x17cm - Fractured Narratives Read More

SACRED SIGNS

  • May 12, 2016

Discover Sacred Signs, a powerful exploration of tradition, identity,...

Looking into the past Uncovering chaos of the modern world - Fractured Narratives - May 12 2016 Read More

Sayeda M. Habib Examines Heritage and Modern Chaos Through ‘Fractured Narratives’ at Canvas Gallery

  • May 12, 2016

Explore Sayeda M. Habib’s exhibition Fractured Narratives at Canvas...

ABOUT:

Meeting Sayeda M Habib in her studio recently, was an extremely interesting experience.  Preparing for her exhibition to take place at Canvas Gallery, the artist was in the process of grinding her colours by hand and she showed me the varying shades of one colour she had created by various methods.  

While I viewed the artist’s work in process, Sayeda shared her delight in the fact that the Prince’s School of Traditional Art based in London, where she had spent many absorbing hours, now had an agreement with the Rangoonwala Centre. A programme of art based on the teaching methods of `Princes School’ was now taking place in Karachi. These were in the charge of graduates of the Prince’s School, including several from Pakistan.       

WORKS: