Sayeda Habib Art

Drawing inspiration from timeless art of the universe as well as the times we live in, Sayeda Habib creates work that holds the attention of the viewer. We discover beauty created with a message that is timeless.

Marjorie Husain

CONTACT:

I’d love to hear from you, whether you’re curious about my work, upcoming exhibitions, or simply wish to connect and start a conversation.

About

Meeting Sayeda M Habib in her studio recently, was an extremely interesting experience.  Preparing for her exhibition to take place at Canvas Gallery, the artist was in the process of grinding her colours by hand and she showed me the varying shades of one colour she had created by various methods.  

While I viewed the artist’s work in process, Sayeda shared her delight in the fact that the Prince’s School of Traditional Art based in London, where she had spent many absorbing hours, now had an agreement with the Rangoonwala Centre. A programme of art based on the teaching methods of `Princes School’ was now taking place in Karachi. These were in the charge of graduates of the Prince’s School, including several from Pakistan.       

WORKS

JOURNAL

Untitled - Fractured Narratives - Zanana Mardana - Frere Hall 1 Read More

Honoring Legends and Gender Narratives: ‘Zenana-Mardana’ Exhibition at Frere Hall

  • February 22, 2022

‘Zenana-Mardana’ at Frere Hall blends tributes to Pakistani art...

ASWAD Exhibition Opening at Canvas Gallery - Interview on Art Tv Pakistan Read More

ASWAD Exhibition – ART TV Pakistan – Interview

  • December 1, 2021

Media Interview of Sayeda Habib on the opening of...

Dance of Dualities - Three of the exhibits on display at the exhibition.—White Star Read More

Exploring the Soul’s Journey: Sayeda M. Habib’s “Dance of Dualities” at Canvas Gallery

  • April 5, 2018

Explore Sayeda M. Habib’s exhibition Dance of Dualities at...

ABOUT:

Meeting Sayeda M Habib in her studio recently, was an extremely interesting experience.  Preparing for her exhibition to take place at Canvas Gallery, the artist was in the process of grinding her colours by hand and she showed me the varying shades of one colour she had created by various methods.  

While I viewed the artist’s work in process, Sayeda shared her delight in the fact that the Prince’s School of Traditional Art based in London, where she had spent many absorbing hours, now had an agreement with the Rangoonwala Centre. A programme of art based on the teaching methods of `Princes School’ was now taking place in Karachi. These were in the charge of graduates of the Prince’s School, including several from Pakistan.       

WORKS: